| TABLE OF CONTENTS |
| Cover Page |
|
|
| Brief Information about Consortium Journal |
|
i - v |
| Message from the Editor-in-Chief |
Mr. Sabuj Sarkar |
vi |
| Message from the Associate Editor |
Bapin Mallick |
vii |
| Message from the Executive Editors |
Gopal Sarkar & Baloram Balo |
viii - x |
| RESEARCH ARTICLES |
| Edward Said’s Radical Humanism |
Puspa Damai |
1-14 |
| Negotiating ‘Relatedness’ in and through Liminal Sites in A. Revathi’s The Truth About Me: A Hijra Life Story |
Nimisha John |
15-23 |
| Overcoating Diasporic Identity: A Critical Study of Jhumpa Lahiri’s The Namesake |
Zahidul Islam |
24-32 |
| Ethics of The Feminine Self/S In HélèNe Cixous’s “The Laugh Of The Medusa” |
Rajarshi Bagchi |
33-44 |
| Necropolitics of Caste and Contesting Social Spaces: The Precarity of Dalit Women in Mahasweta Devi’s Select Narratives |
Kiran Das |
45-55 |
| Exploring the ‘Unheimlich’ and the Double In R.L. Stevenson’s Dr. Jekyll And Mr. Hyde and Oscar Wilde’s The Picture Of Dorian Gray |
Anmana Bhattacharya |
56-66 |
| Deconstructing the Role of Memory in Identity Formation in Padma Sachdev's Autobiography 'A Drop in the Ocean' |
Sakshi & Dr. Anupriya Roy Srivastava |
67-73 |
| The Personal is Political: Studying the Digital Personal Narratives in the Youtube Vlogs by Indian Queer Women |
Kasturi Das |
74-91 |
| “Who Are We? We Are The Dispossessed”: Representation of the Refugees in Amitav Ghosh’s The Hungry Tide |
Laki Molla |
92-100 |
| When Marginalised Memories Claim Their Status: Remapping the Mnemonic Spaces of Sam Selvon’s The Lonely Londoners and Mohsin Hamid’s The Reluctant Fundamentalist |
Poulami Saha |
101-109 |
| Representing the Discourse of the Anti-Goddess Myth – A Comparative Study of Medusa and Goddess Manasā |
Priyanka Roy |
110-117 |
| Alternative Identity and Diaspora in Two Generation Migrants in Jhumpa Lahiri’s The Namesake |
Suravi Biswas |
118-124 |
| Passionate and Committed Women Pandita Ramabai Sarasvati: Social Contribution and Vibrant Activism |
Dr. Akhil Sarkar |
125-133 |
| Truth and Falsity in Nyaya and Advaita Vedanta |
Prahallad Chandra Biswas |
134-140 |
| ANALYSING THE INTERPLAY OF COLONIAL STRUCTURE(S) OF KNOWLEDGE AND POWER IN FAKIR MOHANSENAPATI’S SIX ACRES AND A THIRD |
Satyam Kumar |
141-151 |
| AHUMAN BRUTALITY VERSUS MONSTROUS GENTLENESS:PLACING KAFKAESQUE PORTRAYAL UNDER DERRIDEAN THOUGHT |
Dr. LAU |
152-164 |
